{"title":"MOM Publishing","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e(Melbourne\/Naarm)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMOM Publishing is the publishing arm of one of Melbourne’s most dynamic cultural platforms, founded by filmmaker and photographer Oscar O’Shea in 2020. Since expanding into a gallery, store, café and live music programme, MOM has built a community around art, music and independent culture.\u003c\/p\u003e\n\u003cp\u003eAs a publisher, MOM focuses on well-crafted, accessible books that champion artists for their vision and intent rather than notoriety. Its growing catalogue spans photography, art and documentary work, reflecting the diverse creative communities that shape Melbourne and beyond.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"as-a-djinn-by-kira-issa","title":"as a djinn by Kira Issa","description":"\u003cp\u003eas a djinn is a collection of photographs of the city of Delhi, India—Kira’s hometown. The images were made over four years (2018–2021), during which she observed and photographed her city through a lens of grief and emotional turbulence.\u003cbr\u003e\u003cbr\u003eDelhi, the capital of India, has been the seat of power for many empires. It is chaotic, aggressive, eerie, and ugly, but also charming, resilient, surreal, and seductive. Perhaps it is all these things because of what it has survived: being built, razed, and rebuilt, century after century. They say the city has been rebuilt seven times, with the one standing today being the eighth—a crowded, noisy concrete labyrinth, a sedimented necropolis.\u003cbr\u003e\u003cbr\u003eAmong dusty tombs of forgotten royalty, bolted staircases, and bored pigeons; amidst seasonal flowers, frustrated graffiti, and neglected museum treasures, Kira shows her city—as a djinn.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand sewn and dyed calcio cover bag\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e120 Pages \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e203 x 203mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRiso printed in black and white \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePerfect Bound\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoft Cover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\"\u003eFirst Edition of 150\u003c\/span\u003e\u003c\/p\u003e","brand":"MOM","offers":[{"title":"Default Title","offer_id":48426220847341,"sku":"16872","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/3795\/6589\/files\/MOM_4.jpg?v=1785212990"},{"product_id":"glue-factory-by-jim-mccullough","title":"Glue Factory by Jim McCullough","description":"\u003cp\u003e\u003cspan\u003eGlue Factory is a 110 page book of paintings by Melbourne painter Jim McCullough.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the age of 22-27 Jim worked as an undertaker, collecting deceased body’s for the coroner’s office, normally from crime scenes, car accidents or private homes. Over 6 years since, Jim has created a series of works built around what he witnessed and experienced while holding this occupation. Through these both abstract and literal works, Jim creates imagined narratives around these events that showcase the deceased in the moments leading to their end. It makes for a compelling and unique outlook on both life and death.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The painting’s Jim McCullough has created for this book, Glue Factory, are both one large self portrait in its own right, but also split off individually, showing a time in Jim’s life that not many people would ever be able to go through. Knowing personally how Jim handled himself and the respect he showed to the families and the ones that had passed away. McCullough is a artists artist, the way he both knows himself and his craft well enough to not launch into making works directly about this period, but reflecting. What I see both in Jim and his work, knowing that all art, deserved time, time to be able handle the paintings, the story, the depiction of memory and time to reflect.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Justin Williams  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMOM006 \u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e110 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e210 x 297mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour Indigo Printing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePerfect Bound\u003cbr\u003eFirst Edition of 400\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYellow Metallic Cover + Title Page\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Oscar O’Shea\u003c\/span\u003e\u003c\/p\u003e","brand":"MOM","offers":[{"title":"Default Title","offer_id":48426221011181,"sku":"16876","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/3795\/6589\/files\/MOM_1.jpg?v=1785213035"},{"product_id":"divine-state-by-thomas-swinburn","title":"Divine State by Thomas Swinburn","description":"\u003cp\u003e\u003cspan\u003eSet in the Caucasus mountains, Divine State is a series of photographs that examine our complex relationship with mortality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor humans who cannot bear to follow natural order, the social-cultural ‘hero’ narratives of legacy, religious piety and memorial promise different forms of eternity. Establishing denial towards death becomes critical to well-being in a functioning society. Symbolically, to defy death is to live forever, in a divine, god-like state. Though, in a cyclical inevitability, things begin to crumble, wrinkle and decay around us and the most terrifying admission – one the philosopher William James describes as “the worm-at-the-core” – sets in.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhotographed at the end of 2021 using medium format film, Swinburn mixes intimate human moments with reminders of the past, austere landscapes and imposing mountains to address the complexities of this profound dilemma. What emerges is either a quiet desperation or a liberating truth. 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Shot between 2022-2025 across four continents, this dreamlike collection of photographs show the world as Mannix sees it - delirious, glamorous, surreal and occult. Mannix shoots exclusively on film, and with minimal intervention - an attempt at documenting reality in search of the divine, the unreal, magic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecurring characters, themes, environments and motifs appear throughout in an abstract, circular narrative - creating a hypnotic flow of images which begin to reveal layers of meaning and association, as well as the inner obsessions of the photographer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis book signals an evolution (both personally and artistically) since his previous book, \u003c\/span\u003e\u003ci\u003ePrecious Metals\u003c\/i\u003e\u003cspan\u003e (2014) - \u003c\/span\u003e\u003ci\u003eStarring\u003c\/i\u003e\u003cspan\u003e is more refined and obtuse, aiming higher and sinking deeper, while still retaining his signature eye and enduring fascination with beauty, death, sex, spirituality, excess, gore and symbolism.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e100 Pages \u003cbr\u003e176 x 250mm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoft Cover with silver foiling\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition of 400\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MOM","offers":[{"title":"Default Title","offer_id":49097136177389,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0629\/3795\/6589\/files\/Untitled_7.png?v=1770962468"},{"product_id":"doppio-nodo-lucia-canuto","title":"Doppio Nodo by Lucia Canuto","description":"\u003cp\u003eThe title in Italian translates to Double Knot. There are many \u003cbr\u003eelements to Lucia’s process, including sifting through archival \u003cbr\u003ematerial, collaging, drawing and redrawing over and over. \u003cbr\u003eLanguage is always at the centre, as well as translation as a \u003cbr\u003ekind of play state. There is something spirited and spiritual in \u003cbr\u003erepetition. And it all comes alive when she’s talking with friends.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis book includes a group of people who have responded to \u003cbr\u003eLucia’s work and she theirs during the past decade. Some of \u003cbr\u003ethem visited her during a period she hosted artist residencies in \u003cbr\u003eItaly, and actually many of them became lifelong friends through \u003cbr\u003ethis shared experience. Caitlin Mason and Ella Mittas have \u003cbr\u003econtributed photos from this memorable time together. Chi Tran \u003cbr\u003eand Lucia wrote to each other during that summer of 2017 and \u003cbr\u003ea little piece of the record is here in the book. Carlotta Phelan \u003cbr\u003edocumented her flooded house studio in 2022. There is also \u003cbr\u003esome Psychic reporting from Anna Savage and Black Hole (who \u003cbr\u003ewrote horoscopes for the Nimbin Good Times and happens to be \u003cbr\u003eLuica’s dear friend’s Dad). James Vinciguerra and Lucia often \u003cbr\u003eshare drawings as they are working them out via sms, as well as \u003cbr\u003efar reaching conversations from the origins of cochineal red to \u003cbr\u003etheir grandmother’s different leaf litter collection methodologies. \u003cbr\u003eIn 2020 Luci moved back to her hometown and re-met Nat \u003cbr\u003eBriggs, they first met when they were were 14. Nat responded \u003cbr\u003ethrough poetry to a body of work Lucia made called Seven \u003cbr\u003eCircles. You will find this poem in the book too. 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